Acerba di Cecco d'Ascoli
- Publisher / Year
- Editalia – Rome, 2006
Ms Pluteo 40.52 - Biblioteca Medicea Laurenziana (Florence, Italy)
Acerba di Cecco d'Ascoli
A bitterly contested work, resolutely contended by its author, firmly judged by the church and the public as godless: the allegorical poem titled Acerba by Cecco d’Ascoli. The theories and statements on themes such as astronomy, physics, theology, and biology that were presented in five chapter were considered to be so outrageous by his contemporaries, that their author was burnt at the stake as a result. Today however, we know that some of his theses were correct!
Cecco d’Ascoli (1269-1327) was a famous and controversial Italian poet, mathematician, and astronomer who was active as a professor at the University of Bologna inter alia. Due to his radical views – e.g. belief in demons and open criticism of great minds during his time such as Dante and his Divina Commedia – Cecco d’Ascoli continuously came into conflict with authorities and the church. Thus, he fled from Bologna and the punishment of the Inquisition to Florence. Nonetheless, there he was also steadfast in his controversial views and was finally condemned for godlessness. His fate was sealed on September 26th, 1327, when he was burnt at the stake in Florence.
Ceccoli’s magnum opus, which finally sealed his fate, bears the name Acerba aetas and was first published in the year of his death, 1327. Divided into five books, the allegorical poem is concerned with questions of natural science and ethics, for example, it deals with the characteristics of animals or stones and describes natural phenomena in a bizarre and wonderful mixture of natural and fantastical elements. Aside from astronomy and meteorology, the subjects discussed include philosophy and psychology, ethics and theology, and much more.
Originating from the second half of the Trecento at the behest of a wealthy patron and stored in the Biblioteca Medicea Laurenziana in Florence, the gorgeous manuscript’s text is illustrated with numerous miniatures. Large format depictions are integrated into the text and adorn it on many pages. Be they fantastic creatures, people, animals or other elements of the medieval universe, the book presents a handsome overview of the wonders of the cosmos! The colored miniatures of outstanding quality were complimented by elaborate initials with the finest ornamentation and colorful design.
Yet, the picture of Cecco d’Ascoli and his scientific activity, which he bitterly defended to the end, has completely changed with the passing of the centuries. Early on, he recognized the function of numerous scientific processes, which were inexplicable to his contemporaries, e.g. the formation of fossils or blood circulation. Therefore, his work Acerba gives a testimonial to his unique and turbulent destiny!